This image of a young woman playing the violin has traditionally been interpreted as a personification of Saint Cecilia, an early Christian martyr and the patron saint of music, whose presumed body had been exhumed intact in 1599. Orazio may have used his daughter, the painter Artemisia Gentileschi, as a model for the woman, thus adding a note of realism to his representation. Orazio's interest in realism has been credited to the influence of Caravaggio, an artist whom Gentileschi admired and whose style he popularized.